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Wednesday, June 15, 2022
Amazing Italy: Enjoying Rovigo and its cuisine with Maria Cristina Buoso (Part 3) - by Maria Teresa De Donato
Amazing Italy:
Enjoying Rovigo and its
cuisine with Maria Cristina Buoso (Part 3)
by Maria Teresa De Donato
Dear friends,
Today we are again with our
friend and colleague, author, and blogger Maria Cristina walking around Rovigo.
In the two previous articles, you mentioned the history of Rovigo, introducing
us to some tasty recipes.
We will continue with Rovigo,
of which we will discover other exciting tourist attractions to go to and see
if we visit this city.
Enjoy the reading!
MTDD: Hi
Maria Cristina, and welcome again to our appointment in the Amazing Italy column.
MCB: Thanks Maria Teresa for
inviting me. It is always a pleasure to be your guest.
MTDD: Today,
we continue to visit Rovigo. Where exactly are you taking us?
MCB: Today, I want to take you, even if only virtually, to Palazzo
Roverella, a historic building in Rovigo. It overlooks Piazza Vittorio Emanuele
II, the city's main square, but the entrance is around the corner in Via
Giuseppe Laurenti 8. It is the testimony of the "Este" period.
(Rovigo – Palazzo
Roverella – View from the side of the square)
MTDD: Can
you tell us about the history of this building and why it is important?
MCB: Certainly. The name of the
architect who designed the building is unknown, although it is thought that the
young Biagio Rossetti participated in the artistic design. The elderly Cardinal
Bartolomeo Roverella commissioned the building in 1474 because it was to
testify to the prestige achieved by the Roverella family. The sudden death of
the client in 1477 stopped the construction works.
MTDD: Has
this building been renovated and/or refurbished over the centuries?
MCB: Yes. From the late sixteenth century onwards, an incorrect use
was made of the place with consequent restructuring interventions in the
interior, often wrong, which led to the deterioration of the building until the
end of the Second World War when the restoration of the facade was begun. On
the contrary, the rest of the building was neglected until 1985.
The internal restructuring
works began in 2000 and were carried out by Rovigo Municipality and the Cassa
di Risparmio di Padova and Rovigo Foundation. That led to the redevelopment and
returning to the city of a place where to bring the headquarters of the
Pinacoteca dell'Accademia dei Concordi and the Seminary, rich in significant
paintings.
(Rovigo – Palazzo
Roverella – Facade)
MTDD: I am happy to know that
the renovation and redevelopment of this ancient building were carried out in
the end, giving it back the place it deserves in the history of your city.
MCB: Yes, it was
fundamental. Annually Palazzo Roverella hosts exhibitions of national and
European importance, primarily focused on modern art between 1800 and 1900,
such as the current one by Kandinskij (until June 2022)
(Rovigo – Sign briefly describing
Palazzo Roverella)
MTDD: Out
of curiosity, does this building contain only Italian or foreign finds?
MCB: Palazzo Roverella also houses some finds from Ancient Egypt,
including the mummies of a woman and an infant, called Meryt and Baby,
accompanied by ushabti (small statues that were an integral and indispensable
element of the funeral kit) and other objects and finds Greco-Roman, vases and
ex-voto figurines, coming from private donations.
Anyone wishing to know more can read the information at
the following links:
https://it.wikipedia.org/wiki/Palazzo_Roverella
https://www.rovigoinfocitta.it/palazzo-roverella-rovigo/
MTDD: Very interesting. This
palace is also definitely worth visiting if we come to Rovigo, a town rich in
art and culture.
Did you also prepare a recipe
for us today?
MCB: Certainly. Today I conclude our interview with a typical recipe
of my area: Venetian or Venetian artichokes. I hope you will appreciate it.
Venetian or Venetian
artichokes are cooked stewed in a pan (in tecia, in the Venetian dialect)
There are several variations; this is the easiest and
fastest.
Wash, clean and immerse the
artichokes in water and lemon to prevent them from turning black; drain and
squeeze them well.
Then put a mixture of
breadcrumbs, salt, pepper, garlic, and parsley inside the artichoke. Press well
to let everything in, then put them in a pan greased with olive oil. Pour some
water, cover them with a lid, and let them cook for about 10/15 minutes (if the
time is not enough because they are still hard, continue until you feel tender
with a fork). Open and sprinkle them with the cooking juices and finish by
evaporating the excessive seasoning must remain the right amount to accompany
the artichokes on the plate, which will be soft and ready to be tasted.
Meravigliosa Italia: Gustando Rovigo e la sua cucina con Maria Cristina Buoso (Terza Parte) - di Maria Teresa De Donato
Meravigliosa Italia:
Gustando Rovigo e la
sua cucina con Maria Cristina Buoso (Terza Parte)
di Maria Teresa
De Donato
Amici carissimi,
oggi siamo di nuovo con l’amica e collega autrice e blogger Maria
Cristina a spasso per Rovigo. Nei due precedenti articoli ci ha accennato alla storia di Rovigo, presentandoci, alcune gustose ricette.
Proseguiremo con Rovigo di cui scopriremo altre interessanti
attrattive turistiche da andare a vedere nel caso visitassimo questa città.
Buona lettura!
MTDD: Ciao Maria Cristina e benvenuta di nuovo a questo nostro appuntamento della rubrica Meravigliosa Italia.
MCB: Grazie Maria Teresa per avermi invitata. È sempre un piacere essere tua ospite.
MTDD:
Oggi continuiamo a
visitare Rovigo. Dove ci porti
esattamente?
MCB: Oggi
voglio portarvi, anche se solo virtualmente, a Palazzo Roverella, un palazzo
storico di Rovigo. È la testimonianza del periodo "estense" e si
affaccia sulla piazza Vittorio Emanuele II, la piazza principale della città,
ma l’entrata si trova girato l’angolo in Via Giuseppe Laurenti n.8.
(Rovigo – Palazzo Roverella – Vista dal lato sulla piazza)
(Rovigo – Palazzo Roverella – Vista entrata in via Laurenti)
MTDD:
Puoi parlarci della storia di questo palazzo e del perché è importante?
MCB:
Certamente. L’edificio fu commissionato dall'anziano
cardinale Bartolomeo Roverella nel 1474 perché doveva testimoniare il prestigio
raggiunto dalla famiglia dei Roverella. Non si conosce il nome dell'architetto
che progettò il palazzo, anche se si pensa che il giovane Biagio Rossetti abbia
partecipato al disegno artistico. L'improvvisa morte del committente nel 1477 bloccò
i lavori di costruzione.
MTDD:
È stato rinnovato e/o ristrutturato nei secoli questo edificio?
MCB:
Sì. Dal tardo Cinquecento in poi, si fece un uso errato del posto con
conseguenti interventi di ristrutturazione nella parte interna, spesso
sbagliati, che portò al degrado dello stabile fino alla fine della seconda
guerra mondiale quando fu iniziato il restauro della facciata, mentre il resto
del palazzo è stato trascurato fino al 1985.
I lavori di
ristrutturazione interna sono iniziati nel 2000 ed eseguiti dal Comune di
Rovigo e dalla Fondazione Cassa di Risparmio di Padova e Rovigo portandolo alla
riqualificazione e restituendo alla città un luogo dove portare la sede della Pinacoteca
dell'Accademia dei Concordi e del Seminario, ricca di dipinti importanti.
(Rovigo – Palazzo Roverella – Facciata)
MTDD:
Sono felice di sapere che alla fine si è provveduto alla ristrutturazione e
riqualificazione di questo antico palazzo restituendogli il posto che merita
nella storia della vostra città.
MCB:
Si, è stato fondamentale. Annualmente Palazzo
Roverella ospita mostre di importanza nazionale ed europea, soprattutto
incentrate sull'arte moderna fra 1800 e 1900, come quella attuale di Kandinskij
(fino a giugno 2022)
(Rovigo – Cartello che descrive brevemente Palazzo Roverella)
MTDD:
Per curiosità, questo Palazzo racchiude solo reperti italiani o anche stranieri?
MCB:
Palazzo Roverella ospita anche alcuni reperti dell'Antico Egitto, tra cui le
mummie di una donna e un infante, chiamate Meryt e Baby, corredate di ushabti (piccole statue che costituivano elemento
integrante ed indispensabile del corredo funebre)
ed altri oggetti e reperti greco-romani, vasi e statuine ex voto, provenienti
da donazioni private.
Chi desiderasse saperne
di più può leggere le informazioni riportate ai seguenti link:
https://it.wikipedia.org/wiki/Palazzo_Roverella
https://www.rovigoinfocitta.it/palazzo-roverella-rovigo/
MTDD:
Molto interessante. Anche questo palazzo merita sicuramente di essere visitato
nel caso venissimo a Rovigo, una cittadina ricca di arte e di cultura.
Hai
preparato anche oggi una ricetta per noi?
MCB:
Certamente. Oggi concludo questa nostra intervista con una ricetta tipica della
mia zona: i Carciofi alla veneta o alla veneziana. Spero apprezzerete.
Carciofi alla veneta o alla veneziana, si cucinano stufati in tegame (in tecia, nel
dialetto veneto)
Ci sono diverse
variazioni questa è la più facile e veloce.
Lavate, pulite e
immergete i carciofi in acqua e limone per non farli annerire; scolateli e
strizzateli per bene.
Dopo mettete
all’interno del carciofo un composto di pangrattato, sale, pepe, aglio,
prezzemolo, pigiate per bene per far entrare il tutto, dopo li mettete in un
tegame unto con olio di oliva, versate dell'acqua, copriteli con un coperchio e
fate cuocete così per circa 10/15 minuti (se non bastasse il tempo perché
ancora duri, proseguite fino a quando con la forchetta non li sentiti teneri), aprite e irrorateli con il fondo di cottura e terminate facendo evaporare
l’eccessivo condimento deve rimanere la quantità giusta per accompagnare sul
piatto i carciofi che saranno morbidi e pronti per essere gustati.
https://mariacristinabuoso.blogspot.com/
Wunderschönes Italien: Genießt Rovigo und seine Küche mit Maria Cristina Buoso (Teil 3) - von Maria Teresa DeDonato
Wunderschönes Italien:
Genießt Rovigo und seine Küche mit Maria Cristina
Buoso (Teil 3)
von Maria Teresa
DeDonato
Liebe Freunde,
heute sind wir wieder
mit unserer Freundin und Kollegin Autorin und Bloggerin Maria Cristina in
Rovigo unterwegs. In den beiden vorherigen Artikeln erwähnte sie die Geschichte von Rovigo und stellte
uns einige leckere Rezepte vor.
Wir werden mit Rovigo
fortfahren, von dem wir andere interessante Touristenattraktionen entdecken
werden, um zu sehen, ob wir diese Stadt besuchen.
Viel Spaß beim Lesen!
MTDD: Hallo Maria Cristina
und herzlich willkommen zu unserem Termin in der Rubrik Wunderschönes Italien.
MCB: Danke Maria Teresa für
die Einladung. Es ist immer eine Freude, Dein Gast zu sein.
MTDD: Heute besuchen
wir weiterhin Rovigo. Wo genau führst Du uns hin?
MCB: Heute möchte ich Euch,
wenn auch nur virtuell, zum Palazzo Roverella, einem historischen Gebäude in
Rovigo, mitnehmen. Es ist das Zeugnis der "Este"-Zeit und überblickt
die Piazza Vittorio Emanuele II, den Hauptplatz der Stadt, aber der Eingang
befindet sich um die Ecke in der Via Giuseppe Laurenti 8.
(Rovigo – Palazzo
Roverella – Blick von der Seite auf den Platz)
(Rovigo – Palast Roverella - Blick auf den Eingang in der Via Laurenti)
MTDD: Kannst Du uns etwas über die Geschichte dieses Palasts erzählen und warum ihn wichtig ist?
MCB:
Sicherlich. Das Gebäude wurde 1474 vom betagten
Kardinal Bartolomeo Roverella in Auftrag gegeben, weil es das Ansehen der
Familie Roverella bezeugen sollte. Der Name des Architekten, der das Gebäude
entworfen hat, ist unbekannt, obwohl angenommen wird, dass der junge Biagio
Rossetti an der künstlerischen Gestaltung beteiligt war. Der plötzliche Tod des
Bauherrn im Jahr 1477 stoppte die Bauarbeiten.
MTDD:
Wurde dieser Palast im Laufe der Jahrhunderte restauriert und/oder renoviert?
MCB:
Ja, ab dem späten 16. Jahrhundert wurde der Palast
zweckentfremdet mit konsequenten Umbaueingriffen im Inneren, oft falsch, was zum
Verfall des Gebäudes bis zum Ende des Zweiten Weltkriegs führte, als die
Fassade wurde begonnen, während der Rest des Gebäudes bis 1985 vernachlässigt
wurde.
Die internen
Umstrukturierungsarbeiten begannen im Jahr 2000 und wurden von der Gemeinde
Rovigo und der Cassa di Risparmio di Padova und der Rovigo-Stiftung
durchgeführt, um sie zu sanieren und in die Stadt zurückzubringen, wo sie den
Sitz der Pinacoteca dell'Accademia dei Concordi haben sollten und das Seminar,
reich an wichtigen Gemälden.
(Rovigo – Palazzo Roverella – Fassade)
MTDD:
Ich freue mich zu wissen, dass die Renovierung und
Neugestaltung dieses alten Palasts am Ende durchgeführt wurde und ihm den Platz
zurückgibt, den es in der Geschichte Ihrer Stadt verdient.
MCB:
Ja, es war grundlegend. Jährlich beherbergt der
Palazzo Roverella Ausstellungen von nationaler und europäischer Bedeutung,
insbesondere mit Schwerpunkt auf moderner Kunst zwischen 1800 und 1900, wie die
aktuelle von Kandinskij (bis Juni 2022).
(Rovigo
– Schild mit kurzer Beschreibung des Palasts Roverella)
MTDD:
Aus Neugier, enthält dieses Gebäude nur italienische oder ausländische Funde?
MCB:
Der Palazzo Roverella beherbergt auch einige Funde aus dem alten Ägypten,
darunter die Mumien einer Frau und eines Säuglings namens Meryt und Baby,
begleitet von Ushabti (kleine Statuen, die ein wesentlicher und unverzichtbarer
Bestandteil des Bestattungssets waren) und andere Gegenstände und Funde
Griechisch-römische Vasen und Ex-Voto-Figuren aus privaten Schenkungen.
Wer mehr wissen
möchte, kann die Informationen unter den folgenden Links lesen:
https://it.wikipedia.org/wiki/Palazzo_Roverella
https://www.rovigoinfocitta.it/palazzo-roverella-rovigo/
MTDD:
Sehr interessant. Auch dieser Palast ist auf jeden Fall einen Besuch wert, wenn
wir nach Rovigo kommen, einer Stadt, die reich an Kunst und Kultur ist.
Hast
Du heute auch ein Rezept für uns vorbereitet?
MCB:
Sicherlich. Heute schließe ich unser Interview mit einem typischen Rezept
meiner Gegend: Venezianische oder venezianische Artischocken. Ich hoffe, Ihr
werdet es zu schätzen wissen.
Venetos oder venezianische Artischocken, sie werden in einer Pfanne gedünstet gekocht (in tecia, im venezianischen Dialekt)
Es gibt mehrere
Variationen, dies ist die einfachste und schnellste.
Die Artischocken
waschen, putzen und in Wasser und Zitrone eintauchen, damit sie nicht schwarz
werden; abgießen und gut ausdrücken.
Dann eine
Mischung aus Semmelbröseln, Salz, Pfeffer, Knoblauch und Petersilie in die
Artischocke geben, gut andrücken, um alles hineinzulassen; dann in eine mit
Olivenöl eingefettete Pfanne geben, etwas Wasser angießen, mit einem Deckel
abdecken und so kochen ca. 10/15 Minuten (wenn die Zeit nicht ausreicht, weil
sie noch hart sind, mit einer Gabel weitermachen, bis sie sich weich anfühlen),
öffnen und mit dem Bratensaft beträufeln und zum Schluss verdunsten, das
überschüssige Gewürz muss in der richtigen Menge bleiben. Begleitet Ihr die
Artischocken auf dem Teller, der weich und bereit zum Probieren ist.
Wednesday, June 8, 2022
Education and Freedom (Part 1) - In Conversation with the Director of the Institute and educational writer Horst Költze - by Maria Teresa De Donato
Education and Freedom (Part 1)
In Conversation with
the Director of the Institute and
educational writer Horst Költze
by Maria Teresa De Donato
Today I have the great honor of having as a guest an extraordinary man, the Director of the Institute and educational writer Horst Költze, a dear friend of mine whose private and professional life is full of aspects as fascinating as they are disturbing.
There is a lot to say
about his activities and publications, but I will leave it to my host as is my
custom.
MTDD: Horst,
thank you for accepting this interview and being here with us today.
HK: Maria
Teresa, thank you for your invitation and your interest in the global education
message.
You recognized the
global importance of the educational message of my writings, which I must
transmit from the source of intuition to the "children of the new
millennium."
Through your interview,
you open up a global sphere of influence. Thank you for this on behalf of the
children.
MTDD: Thank
you. Horst, you were born in 1932 in Köslin in Pomerania, which, since the end
of the Second World War, belongs to Poland. You lived there until 1945, when you
fled to Uetersen, a town northwest of Hamburg, before the invasion of the Red
Army.
What memories do you
have of those years and events?
HK: As a
twelve-year-old boy, I was unaware of the fatal effect of this event when, on
the evening of March 1, 1945, my mother and seven of us rushed three kilometers
in the dark to the train station. I kept going, as children do. When we arrived
in Uetersen, after a six-day train journey, my soul was still shaken, it felt
lost in nothingness.
MTDD: How
and to what extent have these events influenced your life, career, and
publications?
HK: The
experience of being tolerated as a refugee, without a real home, having only to
eat and dress, and having just what is necessary to survive, has shaped my basic
attitude towards life: I am fundamentally grateful for what life brings to me,
for all that I could do and create.
Despite the painful experiences,
these events convinced me of the significance of BEING THERE [= awareness of
one's existence/living life in full awareness]. Accordingly, the Danish
existential philosopher Sören Kierkegaard formulates this belief: "Life
is lived forward and understood backward."
MTDD: While
reading your CV, especially in the field of education, countless academic and
non-academic topics and roles emerge, from teacher to principal, from principal
to teacher, to supervisor and director of the institute.
Would you mind summarizing
your activities in this sector?
HK: In all my
different activities, functions, roles, and duties, people were always at the
center of my thoughts and actions.
MTDD: In your
self-portrait, we read: "Who I am. MYSELF! I always have been."
How important is it to
understand who we are and live our lives in full awareness and harmony with our
values?
HK: Man's
answer to this fundamental question of his existence, WHO IS, decides what
destiny is being prepared.
Two and a half millennia
ago, the oracle of Delphi answered the question,
"What is the main
task of man?":
"RECOGNIZE
YOURSELF!"
Self-awareness, the
awareness of one's SELF, is the fundamental condition for living in harmony
with oneself, being in harmony with oneself, being in tune with oneself in the
inner cosmos, and living in peace with oneself.
Such coherence with
oneself is successful when one lives according to beliefs that determine a
coherent state of being. A coherent state of being is based on values that
improve life. These values create homeostatic balance in the organism.
Homo sapiens has the
ability to create such an organismic and virtual state of being as a co-creator
in their own inner cosmos with the ability to self-regulate. This primordial
human option establishes his freedom and his dignity.
The basic condition is
the knowledge of one's true SELF.
MTDD: To what
extent does the educational knowledge imposed by the education system interfere
with one's awareness of one's being and hinder its development?
HK: The
prescribed knowledge and learning contradict the ontic constitution of the
human being, whose main characteristic is life in freedom. The world-famous
poet Jean-Paul Sartre has clear words for man's innate desire for freedom: "Man
is condemned to freedom!"
To justify this, I will
name a few details of this primary anthropological constitution:
This original human
constitution is the basis of a democratic society.
This original
constitution provokes the primal fear of every dictator.
This primeval human
constitution led to the collapse of the WALL in Germany.
And this primal
constitution is causing millions of Chinese millennials to say goodbye to the
system. They live in the state of "Tangping." "Tangping"
means not making yourself an instrument of others. "To go your way,
with dignity. Even if you become an outsider and have to settle for less
money", says the young Chinese woman, whom XIFAN YANG calls Yao Feng
in her article "Uprising while lying down" in the weekly DIE ZEIT of
April 13, 2022. XIFAN YANG states: "Young people do not participate more.
They withdraw, go out, greet us and turn to ‘I’."
In the traditional
school system, currently dominated in 76 countries by the PISA [Programme for International Student
Assessment] functionalist study, children
and adolescents are conditioned to adapt for at least ten years during the
growth phase of the brain. The brain area in the frontal cortex for
SELF-regulation is impeded from full development by forced learning. With
forced learning, there is no existential reference to the person, to the true
SELF. This hinders the development of the brain areas necessary for
autogenesis.
At the end of school,
graduates don't know WHO they are and what they actually want.
MTDD: On your
home page, you state, "The knowledge of the school has clogged my
system and overflowed my heart. I almost drowned in it."
Could you elaborate on this concept?
HK: I was
"tied" to a school chair for hours, having to hear what the teacher
was trying to put into my head. What was happening in my inner world didn't
interest me. It was all about the subject.
Teachers are obliged to
deliver the prescribed learning content in a set time and are obliged to
evaluate students' learning products. Grades motivate and condition students
just like mice in a Skinner box. Expected learning products are rewarded with
good grades, poor learning products are punished with bad grades.
My heart was driven by
fear of getting good grades to get promoted to the next grade. My salvation was
that I left the "school jail" and started an apprenticeship.
(Horst Költze: Anthropologically Oriented Teacher Training)
MTDD: Let's
start by looking at some of your publications.
The first were
- Anthropological-oriented
teacher training. (1981);
- Teacher training -
Theory and practice of the different models (Ed.). (1990);
- Teacher training
in transition - From the concept of technocratic to human training,
In: Ruth C.
Cohn / Christina Terfurth (Editor), Living Teaching-TCI for Schools
(1993),
- The Pedagogical
Diary - A step towards responsible training.
In: Almut / Hoppe / Heike Hoßfeld (edited by),
Evaluation as a process - Dialogue between self-evaluation and
external evaluation. (2001)
The first three titles underline the importance of training teachers of anthropological orientation.
Could you, please, describe the anthropological
orientation, the theory of different teacher training models, and the
transition from a 'technocratic' to a 'human' education?
HK: I'll start
with a fundamental insight from existential philosopher Sören Kierkegaard:
"Man thinks in
categories other than those in which he exists."
These two ways of being,
thinking, and existing form the bipolar field of tension in human unity. Man
integrates both modes of being operationally into the act of action.
Being a teacher takes
place in the classroom like a live broadcast every minute, where thought
materializes into action.
Pedagogically
professional actions require a high degree of self-awareness and the effects on
students.
Pedagogical
professionalism develops only when teacher education integrates both ways of
being, the category of THINKING and ACTION, in the teacher training process.
The basis of such a
process of professionalization of anthropological orientation is the
ontologically legitimized image of man, in which man is understood as SELF. In
teacher training, through self-confrontation, awareness of the true SELF
develops in the process of conscious representation.
The re-representation
of the SELF is the fundamental condition of human formation.
MTDD: To
what extent does third-party evaluation affect our self-esteem, and what can be
done?
HK: The extent
to which others judge our self-worth depends on our awareness of our true SELF.
If the consciousness of one's SELF is underdeveloped, a virtual void arises in
the inner cosmos. Dominant reference persons and authoritarian systems then
prevail in this void.
What can be done about
it?
As soon as the child
says “I”, he can distance himself from himself and confront the SELF.
This means confronting themselves in appropriate situations and promoting their
freedom to make their own decisions, taking responsibility for their SELF and
their fellow humans.
The anthropological
justification of freedom of choice lies in the original constitution of man.
Everyone has a chance to stop before reacting. The founder of speech therapy,
Victor E. Frankl, acknowledged, "There is a space between stimulus and
response. In this space, we have the freedom and the power to choose our
answer. Our answer lies in our growth and our freedom."
This pause option is
the basic condition of AUTO Adjustment. Self-regulation is successful as soon
as a man has developed an autonomous standard of values for himself.
Therefore it is independent of the evaluation of third parties.
MTDD: How will readers interested in
purchasing your publications do so?
HK: My books
can be purchased at any local bookstore or ordered through Internet bookstores.
My essays, such as "The
Evolutionary Spirit Transforms Educational Consciousness," can be
downloaded for free from the Internet.
MTDD: Horst,
your publications are numerous, and the topics to be covered are as interesting
as they are profound. We can continue this exciting conversation about the
world of teaching and learning in our next interview.
Thanks again for
participating. It was an honor to have you as my guest.
HK: Maria Teresa, thank you for inviting me to this interview.
(Horst Költze: School in Education Quake)