Wednesday, October 2, 2024

Amazing Italy: Visiting Palladio’s Villas with Maria Cristina Buoso - by Maria Teresa De Donato

 Amazing Italy:

 

Visiting Palladio’s Villas with Maria Cristina Buoso

 

by Maria Teresa De Donato



 

Our journey through our  Amazing Italy with our dear friend Maria Cristina, Author and Blogger, continues with other precious pearls of her Region: Veneto.

Enjoy the reading!

  


MTDD: Hi Maria Cristina, and welcome back to my Virtual Cultural Salon.

MCB: Thanks to you, Maria Teresa, for the invitation. It is always a pleasure to be your guest.

 

MTDD: Maria Cristina, after getting to know your city, Rovigo, quite well, we moved on to some areas of her province and started, last time, to examine the Venetian Villas.

Shall we resume the tour of the Villas today?

MCB: Yes. Last time I spoke in general about the Venetian Villas. Today, I want to talk to you about those by Palladio, who designed them in the mid-16th century for the local aristocratic families and the upper middle class of the Venetian Republic.

They are considered masterpieces of art and architecture history and make the landscape in which they are built prestigious. Some are known throughout the world and have become UNESCO World Heritage Sites.


MTDD: Very interesting! Would you like to introduce us to their architect, Andrea Palladio briefly?

MCB: Sure. Andrea Palladio was born on 30 November 1508 in Padua and died on 19 August 1580 in Maser, in the province of Treviso. He was an Italian Renaissance architect active in the Republic of Venice. He was influenced by Roman and Greek architecture in his work, especially that of Vitruvius, an engineer and architect who lived in the first century BC. Palladio is considered one of the most influential individuals in the history of architecture. Although he designed churches and palaces, he was best known for country houses and villas.

 

MTDD: Last time, you mentioned some Venetian Villas now considered Unesco Heritage. Do those of Palladio belong to this category?

MCB: Yes, they do. In fact, the city of Vicenza, with its 23 buildings designed by Palladio and the 24 Palladian villas of the Veneto, are listed by UNESCO as part of the World Heritage City of Vicenza and Palladian Villas of the Veneto. Palladio's churches are at the UNESCO World Heritage Site, "Venice and its Lagoon."

 


MTDD: We can say, therefore, that Palladio was undoubtedly one of the greatest architects Italy has ever had.

MCB: I agree. Andrea Palladio lived in a historical context that was favorable to him. It was the Renaissance period. Towards the middle of the 15th century, the aristocratic nobles escaped from the chaos of the city and took refuge in nature. For this reason, they needed a residence in which to relax, have fun, and cultivate their passions, such as hunting, dancing, music, and walking in the gardens. For this reason, they needed a new and more functional home for their purposes.

 

MTDD: How did the Villas designed by Palladio differ from those built up to that point?

MCB: Palladio abandoned the previous idea of a medieval villa castle, which had the task of defense, for a new model of house with a new function that was more productive and humanistic. He found a union between ancient and modern, a balance between man and nature, where he managed to integrate the various models and the new needs of the owners in perfect harmony. In short, he had to reconcile the expectations of the nobles with their passions, health, rest, study, and more with the control and carrying out of the various agricultural jobs that were an integral part of these new housing realities in the area.

The architectural features of his creations stand out from other villas for their elegance, balance, and symmetry. Furthermore, the spaces intended for agricultural work were practical and harmonious with the manor rooms. The villas were often composed of a central body as a residence for the owners, usually located on a single floor with a staircase full of important sculptures, which served to show off the wealth and nobility of the owner, who entertained guests with dinners, dances, concerts, and more.

For further information, here are some links:

 

https://www.arte2000.it/blog/ville-palladiane-splendide-architetture-nelle-campagne-venete/

https://www.villevenetecastelli.com/un-po-di-storia/

http://web.tiscali.it/AndreaPalladio/html/introd_ville.htm

https://it.wikipedia.org/wiki/Ville_palladiane

https://www2.irvv.net/it/listituto/storia.html

http://www.rivieradelbrenta.biz/ville_venete/

 

MTDD: Shall we conclude our interview today with a succulent recipe for our readers?

MCB: Absolutely! Today, I propose Polenta, ribs, and pork sausage

 


Recipe

Polenta, ribs, and pork sausage

Another memory recipe. There are many versions of this recipe. In my memory, I remember ribs and sausage made grilled or with tomato.

Let's start...

First, prepare the Polenta, either the normal or instant version. You can choose whether to make it more or less soft. My mother left it soft because she then placed the sauce on top of it with the sausage and/or rib. Everything was delicious.

Cook the ribs and sausages in the iron or griddle version, as you prefer. I don't need to tell you how to do it because you will have already cooked them this way.

Steamed

Put olive oil and the chopped celery, onion, and carrot in a high-pitched pan. When it has wilted, add the pork parts and brown for a while; add pepper and a little salt (which you will adjust better towards the end so as not to make everything too salty); if you like a little paprika and/or chili pepper, they were not once included in the recipe, but now it is expected to add them. Pour some tomato puree and a little water for slow cooking; check now and then; the meat must come away from the bone.

Enjoy your meal!




Meravigliosa Italia: Visitando le Ville Palladiane con Maria Cristina Buoso - di Maria Teresa De Donato

 Meravigliosa Italia:

 

Visitando le Ville Palladiane con Maria Cristina Buoso

 

di Maria Teresa De Donato

  


  

Il nostro viaggio nella Meravigliosa Italia con la nostra cara amica Maria Cristina, Autrice e Blogger continua con altre perle preziose della sua Regione: il Veneto.

Auguro a voi tutti una buona lettura!

  


MTDD: Ciao Maria Cristina e bentornata in questo mio Salotto Culturale Virtuale.

MCB: Grazie a te, Maria Teresa, per l’invito. È sempre un piacere essere tua ospite.

 

MTDD: Maria Cristina, dopo aver conosciuto piuttosto bene la tua città, Rovigo, siamo passati ad alcune aree della sua provincia ed iniziato, la volta scorsa, ad esaminare le Ville Venete.

Riprendiamo il tour delle Ville oggi?

MCB: Sì. La volta scorsa ho parlato in generale delle Ville Venete. Oggi voglio parlarvi un  po’ di quelle di Palladio che le progettò a metà del Cinquecento per le famiglie aristocratiche locali e dell’alta borghesia della Repubblica veneta.

Sono considerate dei capolavori della storia dell’arte e dell’architettura inoltre rendono prestigioso il paesaggio in cui sono costruite. Alcune sono conosciute in tutto il mondo e sono diventate Patrimonio dell’Unesco.

MTDD: Molto interessante! Vorresti presentarci brevemente il loro architetto, Andrea Palladio?

MCB: Volentieri. Andrea Palladio nacque il 30 novembre 1508 a Padova e morì il 19 agosto 1580 a Maser, in provincia di Treviso.  Fu un architetto rinascimentale italiano attivo nella Repubblica di Venezia. Nel suo lavoro fu influenzato dall'architettura romana e greca, soprattutto da quella di Vitruvio, ingegnere e architetto vissuto nel primo secolo a.C..  Palladio è considerato uno degli individui più influenti nella storia dell'architettura. Sebbene progettasse chiese e palazzi, era conosciuto soprattutto per case di campagna e ville.

 

MTDD: La volta scorsa avevi accennato ad alcune Ville Venete considerate oggi Parimonio dell’Unesco.  Appartengono a questa categoria che quelle di Palladio?

MCB: Sì, infatti, la città di Vicenza, con i suoi 23 edifici progettati dal Palladio e le 24 ville palladiane del Veneto sono elencate dall'UNESCO come parte del patrimonio mondiale denominato Città di Vicenza e Ville Palladiane del Veneto. Le chiese del Palladio si trovano all'interno del patrimonio mondiale dell'UNESCO “Venezia e la sua Laguna”.

 


MTDD: Possiamo dire, dunque, che Palladio è stato certamente uno dei maggiori architetti che l’Italia abbia mai avuto.

MCB: Sono d’accordo. Andrea Palladio è vissuto in un contesto storico a lui favorevole. Era il periodo del Rinascimento. Verso la  metà del XV secolo, i nobili aristocratici scappavano dal caos della città e si rifugiavano nella natura e per questo avevano bisogno di una residenza in cui rilassarsi, divertirsi, coltivare le loro passioni come la caccia, la danza, la musica e passeggiare nei giardini. Per questo avevano bisogno di una abitazione nuova e più funzionale ai loro scopi.

 

MTDD: In che modo le Ville progettate da Palladio si differenziarono da quelle costruite fino a quel momento?

MCB: Palladio  abbandonò la precedente idea di villa-castello medievale, che aveva il compito di difesa per un nuovo modello di casa con una nuova funzione che fosse più produttiva e umanistica. Trovò un’unione tra antico e moderno, un equilibrio tra uomo e natura dove riuscì a integrare i vari modelli e le nuove necessità dei proprietari in  una perfetta armonia. In breve doveva conciliare le aspettative dei nobili con le loro passioni, salute, riposo, studio e altro con il controllo e lo svolgimento dei vari lavori agricoli che erano parte integrante di queste nuove realtà abitative della zona.

Le caratteristiche architettoniche delle sue creazioni si distinguono dalle altre ville per eleganza, equilibrio e simmetria. Inoltre, gli spazi destinati al lavoro agricolo erano pratici e  in armonia con gli ambienti padronali. Le ville erano spesso composte da  un corpo centrale come residenza per i proprietari, di solito si trovava su un unico piano con una scalinata ricca di sculture importanti che servivano per dare sfoggio della ricchezza e nobiltà del proprietario che intratteneva gli ospiti con cene, balli e concerti e altro.

Per approfondimenti ecco alcuni link:

 

https://www.arte2000.it/blog/ville-palladiane-splendide-architetture-nelle-campagne-venete/

https://www.villevenetecastelli.com/un-po-di-storia/

http://web.tiscali.it/AndreaPalladio/html/introd_ville.htm

https://it.wikipedia.org/wiki/Ville_palladiane

https://www2.irvv.net/it/listituto/storia.html

http://www.rivieradelbrenta.biz/ville_venete/

 

 

MTDD: Concludiamo anche ogg la nostra intervista con una ricetta succulenta per i nostri lettori?

MCB: Assolutamente! Oggi vi propongo Polenta e costine e salsiccia di maiale

  


 

Ricetta

Polenta e costine e salsiccia di maiale

Un’altra ricetta della memoria. Ci sono molte versioni di questa ricetta,  nella mia memoria ricordo le costine e salsiccia fatte ai ferri o con pomodoro...

Cominciamo...

Per prima cosa preparate la polenta sia versione normale o istantanea, a vostra scelta se farla più o meno morbida. Mia madre la lasciava morbida perché poi sopra si appoggiava il sugo con la salsiccia e/o costina. Il tutto era squisito...

Per le costine e le salsicce nella versione ferri o piastra,  fatele come preferite sono sicura che non c’è bisogno che vi dica come fare perché le avrete già cucinate in questo modo.

In umido

In un tegame a bordi alti,  mettete olio di oliva e il trito di sedano, cipolla e carota. Quando si è appassito aggiungete le parti di maiale e rosolate per un  po’; mettete pepe e un  po’ di sale (che aggiusterete meglio verso la fine per non rendere tutto troppo salato), se vi va un po’ di paprica e/o peperoncino, una volta non erano inclusi nella ricetta, ma adesso si usa aggiungere. Versate della passata di pomodoro e un po’ d’acqua per la cottura a fuoco lento, controllate ogni tanto, la carne si deve staccare dall’osso.

 

Buon appetito!

 


Wunderschönes Italien: Besuch der Palladio-Villen mit Maria Cristina Buoso - von Maria Teresa De Donato

 Wunderschönes Italien:

 

Besuch der Palladio-Villen mit Maria Cristina Buoso

 

von Maria Teresa De Donato

 


 

Unsere Reise ins wunderschöne Italien mit unserer lieben Freundin Maria Cristina, Autorin und Bloggerin, geht weiter mit anderen kostbaren Perlen ihrer Region: Venetien.

Ich wünsche Euch allen eine gute Lektüre!

 

 


MTDD: Hallo Maria Cristina und willkommen zurück in meinem virtuellen Kultursalon.

MCB: Danke, Maria Teresa, für die Einladung. Es ist immer eine Freude, Dein Gast zu sein.

 

MTDD: Maria Cristina, nachdem wir Deine Stadt, Rovigo, recht gut kennengelernt hatten, zogen wir weiter in einige Gebiete der Provinz und begannen, das letzte Mal, die venezianischen Villen zu besichtigen.

Sollen wir den Rundgang durch die Villen heute fortsetzen?

MCB: Ja. Das letzte Mal habe ich allgemein über die venezianischen Villen gesprochen. Heute möchte ich mit Euch ein wenig über die Modelle von Palladio sprechen, der sie Mitte des 16. Jahrhunderts für die örtlichen Adelsfamilien und die obere Mittelschicht der Republik Venedig entwarf.

Sie gelten als Meisterwerke der Kunst- und Architekturgeschichte und verleihen der Landschaft, in der sie errichtet wurden, Prestige. Einige sind auf der ganzen Welt bekannt und wurden zum UNESCO-Weltkulturerbe erklärt.

 

MTDD: Sehr interessant! Möchtest Du uns ihren Architekten Andrea Palladio kurz vorstellen?

MCB: Gerne. Andrea Palladio wurde am 30. November 1508 in Padua geboren und starb am 19. August 1580 in Maser in der Provinz Treviso. Er war ein italienischer Renaissance-Architekt, der in der Republik Venedig tätig war. In seiner Arbeit wurde er von der römischen und griechischen Architektur beeinflusst, insbesondere von Vitruv, einem Ingenieur und Architekten, der im ersten Jahrhundert v. Chr. lebte. Palladio gilt als einer der einflussreichsten Menschen in der Geschichte der Architektur. Obwohl er Kirchen und Paläste entwarf, war er vor allem für seine Landhäuser und Villen bekannt.

 

MTDD: Das letzte Mal hast Du einige venezianische Villen erwähnt, die heute zum UNESCO-Weltkulturerbe zählen. Gehören die von Palladio zu dieser Kategorie?

MCB: Ja, tatsächlich ist die Stadt Vicenza mit ihren 23 von Palladio entworfenen Gebäuden und den 24 Palladio-Villen Venetiens von der UNESCO als Teil des Weltkulturerbes „Stadt Vicenza und Palladio-Villen Venetiens“ aufgeführt. Palladios Kirchen befinden sich im UNESCO-Weltkulturerbe „Venedig und seine Lagune“.

 



MTDD: Wir können daher sagen, dass Palladio sicherlich einer der größten Architekten war, die Italien je hatte.

MCB: Ich stimme zu. Andrea Palladio lebte in einem für ihn günstigen historischen Kontext. Es war die Zeit der Renaissance. Gegen Mitte des 15. Jahrhunderts flüchteten die aristokratischen Adligen vor dem Chaos der Stadt in die Natur und brauchten deshalb eine Residenz, in der sie sich entspannen, Spaß haben und ihre Leidenschaften wie Jagen, Tanzen, Musik und Spaziergänge in den Gärten pflegen konnten. Aus diesem Grund benötigten sie für ihre Zwecke ein neues und funktionaleres Zuhause.

 

MTDD: Wie unterschieden sich die von Palladio entworfenen Villen von den bis dahin gebauten?

MCB: Palladio gab die bisherige Idee einer mittelalterlichen Villa-Burg, die die Aufgabe der Verteidigung hatte, zugunsten eines neuen Hausmodells mit einer neuen Funktion auf, das produktiver und humanistischer war. Er fand eine Verbindung zwischen Antike und Moderne, ein Gleichgewicht zwischen Mensch und Natur, wobei es ihm gelang, die verschiedenen Modelle und die neuen Bedürfnisse der Eigentümer in perfekter Harmonie zu integrieren. Kurz gesagt, es musste die Erwartungen der Adligen an ihre Leidenschaften, Gesundheit, Ruhe, Studium und mehr mit der Kontrolle und Ausführung der verschiedenen landwirtschaftlichen Arbeiten in Einklang bringen, die ein wesentlicher Bestandteil dieser neuen Wohnrealität in der Region waren.

Die architektonischen Merkmale seiner Kreationen heben sich von anderen Villen durch ihre Eleganz, Ausgewogenheit und Symmetrie ab. Darüber hinaus waren die für landwirtschaftliche Arbeiten vorgesehenen Räume praktisch und harmonierten mit den Herrenhäusern. Die Villen bestanden oft aus einem zentralen Körper als Wohnsitz für die Eigentümer, der sich meist auf einer Etage befand und über eine Treppe voller bedeutender Skulpturen verfügte, die dazu dienten, den Reichtum und den Adel des Eigentümers zu demonstrieren, der die Gäste mit Abendessen, Tänzen und Konzerten unterhielt und mehr.

Für weitere Informationen hier einige Links:

 

https://www.arte2000.it/blog/ville-palladiane-splendide-architetture-nelle-campagne-venete/

https://www.villevenetecastelli.com/un-po-di-storia/

http://web.tiscali.it/AndreaPalladio/html/introd_ville.htm

https://it.wikipedia.org/wiki/Ville_palladiane

https://www2.irvv.net/it/listituto/storia.html

http://www.rivieradelbrenta.biz/ville_venete/


MTDD: Sollen wir unser heutiges Interview mit einem saftigen Rezept für unsere Leser abschließen?

MCB: Auf jeden Fall! Heute schlage ich Polenta und Rippchen und Schweinswurst.

 

 


Rezept

Polenta und Rippchen und Schweinswurst

Das ist noch ein Erinnerungsrezept.

Es gibt viele Versionen dieses Rezepts. In meiner Erinnerung erinnere ich mich an Rippchen und Wurst vom Grill oder mit Tomaten ...

Lasst uns beginnen...

Bereiten Sie zunächst die Polenta vor, entweder die normale oder die Instant-Variante, wobei Sie entscheiden, ob Sie sie weicher oder weniger weich machen möchten. Meine Mutter hat es weich gelassen, weil sie dann die Soße auf die Wurst und/oder Rippe gelegt hat. Alles war lecker...

Für die Rippchen und Würstchen in der Eisen- oder Bratpfannenvariante können Sie sie ganz nach Ihren Wünschen zubereiten. Ich bin mir sicher, dass ich Ihnen nicht sagen muss, wie es geht, da Sie sie auf diese Weise bereits zubereitet haben. Gedämpft in eine Pfanne mit hohem Rand Olivenöl sowie den gehackten Sellerie, die Zwiebel und die Karotte geben. Wenn es zusammengefallen ist, die Schweinefleischteile hinzufügen und eine Weile anbraten; Fügen Sie Pfeffer und etwas Salz hinzu (das werden Sie gegen Ende besser anpassen, damit nicht alles zu salzig wird).

Wenn Sie etwas Paprika und/oder Chili mögen, waren diese früher nicht im Rezept enthalten, sind es aber jetzt üblich, sie hinzuzufügen. Zum langsamen Garen etwas Tomatenpüree und etwas Wasser aufgießen, dabei ab und zu kontrollieren, ob sich das Fleisch vom Knochen lösen muss.

 

Guten Appetit!

 

 


 

 

Friday, September 27, 2024

One More Ride on the Merry-Go-Round (Tiziano Terzani, 2004, 2014) - Maria Teresa De Donato’s Opinion

One More Ride on the Merry-Go-Round

(Tiziano Terzani, 2004, 2014)

 

Maria Teresa De Donato’s Opinion





One More Ride on the Merry-Go-Round: that's how Tiziano Terzani conceived his life, a life full of adventures, misadventures, meetings, movements, and trips from one continent to another, all always lived with intellectual curiosity and optimism.

From the Asian gurus to the Himalayan hermit, from the reading of his future by a visionary to the many vicissitudes experienced as an individual or together with his family: all this until the encounter with the disease, an illness that he tries to cure by first resorting to therapies traditional Western medicines - sometimes invasive and quite aggressive and in which he absolutely does not believe - and, subsequently, holistic ones... up to the acceptance of his own death as an integral and absolutely natural part of his life, something to embrace, to which According to him, one should not shy away from it nor should one fear it.

One More Ride on the Merry-Go-Round is an extremely exciting read, rich in themes, culture, profound humanity, and food for thought. It will fascinate the reader, making him travel not only around the world but even more so into the depths of his soul. It encourages him to confront his fears and beliefs and to accept, without judging, everything that life presents to him.

This book can also be ordered on Amazon. 

 

This article was also published at the following link: Un altro giro di giostra

Un altro giro di giostra (Tiziano Terzani, 2004, 2014) - L' Opinione di Maria Teresa De Donato

 Un altro giro di giostra

(Tiziano Terzani, 2004, 2014)

 

L' Opinione di Maria Teresa De Donato

 

 




“Un altro giro di giostra”: così concepiva Tiziano Terzani la sua vita, una vita piena di avventure, disavventure, incontri, spostamenti, viaggi da un continente all’altro, il tutto sempre vissuto con curiosità intellettuale e ottimismo.

Dai guru asiatici all’eremita himalayano, dalla lettura del suo futuro da parte di una veggente alle tante peripezie vissute come singolo o insieme alla sua famiglia: tutto questo fino all’incontro con la malattia, una malattia che cerca di curare ricorrendo prima alle terapie mediche tradizionali occidentali – talvolta invasive e alquanto aggressive e in cui lui non crede assolutamente – e, successivamente, a quelle olistiche... sino all’accettazione della propria morte come parte integrante e assolutamente naturale della sua vita, qualcosa da abbracciare, a cui, secondo lui, non ci si dovrebbe sottrarre né si dovrebbe temere.

Un altro giro di giostra è una lettura estremamente appassionante, ricca di temi, di cultura, di profonda umanità, di spunti di riflessione, che affascinerà il lettore facendolo viaggiare non solo nel Mondo, ma anche e soprattutto negli abissi della sua anima, incoraggiandolo a confrontarsi con le proprie paure e con il proprio sistema di credenze e ad accettare, senza giudicare, tutto ciò che la Vita gli presenta.

Questo libro è ordinabile anche su Amazon.

 

Il presente articolo è stato pubblicato anche al seguente link: Un altro giro di giostra

Noch eine Runde auf dem Karussell (Tiziano Terzani, 2004, 2014) - Maria Teresa De Donatos Meinung

 Noch eine Runde auf dem Karussell

(Tiziano Terzani, 2004, 2014)


Maria Teresa De Donatos Meinung


 

„Noch eine Runde auf dem Karussell“: So hat sich Tiziano Terzani sein Leben vorgestellt, ein Leben voller Abenteuer, Missgeschicke, Begegnungen, Umzüge, Reisen von einem Kontinent zum anderen, immer gelebt mit intellektueller Neugier und Optimismus.

Von den asiatischen Gurus bis zum Himalaya-Einsiedler, von der Vision eines Visionärs über seine Zukunft bis zu den vielen Wechselfällen, die er als Einzelperson oder zusammen mit seiner Familie erlebt: All dies bis zu seiner Begegnung mit der Krankheit, einer Krankheit, die er zu heilen versucht, indem er zunächst auf traditionelle westliche medizinische Therapien zurückgreift – manchmal invasiv und ziemlich aggressiv und an die er absolut nicht glaubt – und anschließend auf ganzheitliche Therapien … bis Akzeptanz des eigenen Todes als integralen und absolut natürlichen Teil seines Lebens, als etwas, das man annehmen kann und vor dem man seiner Meinung nach weder zurückschrecken noch keine Angst haben sollte.

Noch eine Runde auf dem Karussell ist eine eine äußerst spannende Lektüre, reich an Themen, Kultur, tiefgründiger Menschlichkeit, Denkanstößen, die den Leser faszinieren und ihn nicht nur um die Welt, sondern vor allem auch in die Tiefen seiner Seele reisen lässt, ermutigt ihn, sich seinen Ängsten und seinem Glaubenssystem zu stellen und alles, was ihm das Leben bietet, ohne zu urteilen zu akzeptieren.

Dieses Buch kann auch bei Amazon bestellt werden.

 

Dieser Artikel wurde auch unter folgendem Link veröffentlicht:

Un altro giro di giostra

 

Wednesday, September 18, 2024

Tor Bernhard Wilhelm Aulin (UK)

(Stockholm 1866 - Saltsjöbaden,1914)


Swedish musician, great violin virtuoso, Tor Aulin is remembered mainly as the founder, in 1887, of one of the most famous string quartets in Europe and as an orchestra conductor, attentive interpreter of the works of his great friend Wilhelm Stenhammar .

Aulin studied music at the Royal College of Music in Stockholm (1877-1883), then at the Berlin Conservatory (1884-1886) with the French violinist Émile Sauret and Philipp Scharwenka (not to be confused with the pianists Emil von Sauer and Xaver Scharwenka). Between 1889 and 1892, Aulin was concertmaster at the Royal Opera in Stockholm. During his career, he conducted the main symphony orchestras in Stockholm and Gothenburg. In 1887 he formed Quatuor Aulin, which gained fame until its disbandment in 1912.

Between 1900 and 1911 Aulin founded and directed the Orchestra of Swedish Musicians, the Stockholm Concert ensemble, the Drama Theater Orchestra, the Southern Swedish Philharmonic Orchestra; from 1909 to 1911 he was the director of the Göteborgs Symfoniker, today's Swedish National Orchestra.
Tor Aulin is the author of compositions for the violin, chamber music and symphony orchestra; he also left some incidental music for the drama Mäster Olof by August Strindberg. His work is not easy to catalog due to the imprecise dating of most of his works; in some way the possible opus number and the date of publication or first performance are helpful.

Tor Aulin was an important conductor and violinist in Sweden's thriving concert hall culture at the fin de siècle. His wife, Anna Aulin, recounts that his compositional successes were, however, somewhat limited by his humility and his commitment to promoting the music of other Swedish composers during his annual tours as leader of the Aulin String Quartet (1877- 1912) and as director of the Stockholm and Gothenburg Orchestras. Yet he was an active composer between 1887 and 1913 and wrote a variety of stage music, songs and piano pieces stylistically influenced by the German romanticism of Max Bruch, Robert Schumann and by the Nordic style of his long-term confidante, Edvard Grieg. As a concert violinist, Aulin composed most for his instrument: character pieces, string quartets, pedagogical pieces, and cadenzas, along with his most famous works, the Violin Concerto No. 2 in A minor, op. 11 (1892) and Violin Concerto no. 3 in C minor op. 14 (1896).

The Swedish folk violin-inspired melodies and original instrumentation of the Svenska danser (Vier schwedische Tänze für Orchester) [Four Swedish Dances], Op. 32 (1912-3), places the work firmly at the center of this corpus of violin music. The four-movement suite was written for violin and piano in 1912, dedicated to Professor Georg Hüttner and the Dortmund Philharmonic Orchestra. The following year, it was arranged for orchestra and first performed by the Göteborgs Orkesterförening [Gothenburg Orchestra Association] on 6 April 1913, conducted by Wilhelm Stenhammar. The concert also featured the premiere of another of Aulin's popular suites, his Gotländska danser (Drie gottländische Tanze), Op. 28 (1910). Like the Svenska dancer, these dances were originally written for violin and piano (Op. 23) and only later arranged for orchestra.

Written during a period of ill health, the Svenska Dancer was among Aulin's last works composed before his death from heart disease in March 1914. At the age of 47, Aulin had suffered from depression and kidney problems and was partially paralyzed after a stroke in early 1913. In a commemorative retrospective, his friend, Emil Hansen, gives a harrowing account of the rehearsals for the orchestral suite. After being taken to rehearsals, Aulin was so overcome with emotion that he was taken back with a final farewell to his orchestra. …
His sister, Laura Valborg Aulin (1860-1928), was a pianist and composer whose output included two string quartets, in F major and E minor, among other works.